Villa-Lobos and modernism: the apotheosis of cannibal music

The Anthropophagic Aesthetic

Villa-Lobos, the "Cannibal who Wore Tails"

The Sad Clowns of Carnival : Polichinelo and Petrushka

Taking Flight with Two Ballet Birds : Uirapuru and Firebird

Dissecting Uirapuru

Breaking Treaties : Amazonas and Le Sacre du Printemps

Diving into the Amazonas

Towards a New Assessment of Villa-Lobos

The Influence of Surrealism in Villa-Lobos's Modernist Works

Appendix 1. The Anthropophagous Manifesto : An Annotated Translation

Appendix 2. Glossary of Musical Terminology.