Screening crime in the USA: an undervalued symbiosis
The gangster's silent backdrop: Contesting Victorian uplift and the culture of Prohibition
The enemy goes public: Voicing the cultural other in the early 1930s talking gangster film
Manhattan melodrama's "Art of the Weak": Tactics of survival and dissent in the post-Prohibition gangster film
Ganging up against the gangster: Censorship, the movies, and the cultural transformation, 1915-1935
Crime, Inc.: Beyond the ghetto/Beyond the majors in the postwar gangster film
Screening crime the liberal consensus way: Postwar transformations in the Production Code
The "Un-American" film art: Robert Siodmak, Fritz Lang, and the political significance of Film Noir's German connection
From gangster to gangsta: Against a certain tendency of film theory and history.
