Appetite
(eBook)

Book Cover
Published
University of Pittsburgh Press, 2012.
Status
Available from Hoopla

Description

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Format
eBook
Language
English
ISBN
9780822978459

Citations

APA Citation, 7th Edition (Style Guide)

Aaron Smith., & Aaron Smith|AUTHOR. (2012). Appetite. University of Pittsburgh Press.

Chicago / Turabian - Author Date Citation, 18th Edition (Style Guide)

Aaron Smith and Aaron Smith|AUTHOR. 2012. Appetite. University of Pittsburgh Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 18th Edition (Style Guide)

Aaron Smith and Aaron Smith|AUTHOR. Appetite. University of Pittsburgh Press, 2012.

UCL Harvard Citation (Style Guide)

Aaron Smith. and Aaron Smith|AUTHOR. (2012). Appetite. University of Pittsburgh Press.

MLA Citation, 9th Edition (Style Guide)

Aaron Smith, and Aaron Smith|AUTHOR. Appetite. University of Pittsburgh Press, 2012.

Note: Citations contain only title, author, edition, and publisher. Only UCL Harvard citations contain the year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of May 2025.

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Grouped Work ID1f85a2f2-3320-a60b-4690-f79c1bd32e7f-eng
Full titleappetite
Authorsmith aaron
Grouping Categorybook
Last Update2026-01-31 21:02:17PM
Last Indexed2026-02-03 14:22:14PM

Book Cover Information

Image Sourcehoopla
First LoadedNov 9, 2025
Last UsedFeb 6, 2026

Hoopla Extract Information

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    [synopsis] => Appetite is a book that explores our American Mythologies, particularly masculinity and film. Smith investigates our fascinations with the body, gender, and entertainment in poems that are critically observant, darkly funny, darkly angry, and, sometimes, heartbreaking.

Whether he is cataloging shirtless men in films and bad television, lyricizing the anxieties of childhood, or redrawing the lines of cultural membership, Appetite attacks its subjects with wit, candor, and compassionate intensity. These poems announce their presence with a style that is as beautifully wrought as it is provocative.

In the America of Appetite, the usual hierarchies are obliterated: the disposable is as valuable as the traditional, pop culture is on the same level as the sacred, and the pleasurable simultaneity of past and present are found in high art and the tabloid. Smith's work engages our contemporary moment and how we want to think of ourselves, while nodding to rich poetic, cultural, and personal histories.
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