States of UnBelonging - An Israeli Woman Explores Violence in the Middle East
(eVideo)
Contributors
Canyon Cinema Foundation (Firm), Distributor
Kanopy (Firm), Distributor
Published
Canyon Cinema Foundation, 2005., [San Francisco, California, USA] : Kanopy Streaming, 2016.
Physical Desc
1 online resource (streaming video file) (64 minutes): digital, .flv file, sound
Status
Description
Loading Description...
Subjects
Other Subjects
More Details
Format
eVideo
Language
English
Notes
General Note
In Process Record.
General Note
Title from title frames.
General Note
Film
Date/Time and Place of Event
Originally produced by Canyon Cinema Foundation in 2005.
Description
Portrait of Israeli woman filmmaker explores violence in the Middle East. The core of this haunting meditation on war, land, the Bible, and filmmaking is a portrait of Revital Ohayon, an Israeli filmmaker and mother killed on a kibbutz near the West Bank. Director Lynne Sachs' journey to discover Revital life and death results in a cine-essay on violence, identity, crisis in the Middle East and motherhood. Avoiding easy political polarizations, the film is structured around an exchange of letters between Sachs and her Israeli friend Nir Zats. Together, they reveal Revital's story through her films, news reports, and interviews, culminating in heartbreaking footage of children discussing the violence they've witnessed and an unforgettable visit with Ohayon's grieving family. Without taking sides or casting blame, "States of UnBelonging" becomes a cine-essay on fear and filmmaking, tragedy and transformation, violence and the land of Israel/Palestine.. “What separates each of us from the other? Director Lynne Sachs explores this complex question and others in her haunting new film States of Unbelonging—a beautiful poetic journey that searches for how one person understands another across cultural, historical and political divides. The two people in question are Sachs herself and Revital Ohayon, an Israeli filmmaker killed by terrorists. Like Sachs, Ohayon was a mother, a filmmaker, a teacher and a Jew. Though she never met Ohayon, Sachs examines the onslaught of modern media that united both artists, mediated through the letters, messages and phone calls exchanged with Israeli friend, Nir Zats.” Fernando F. Croce, Cinequest: San Jose Film Festival. “At a time when conflicts scar the globe, this visually arresting film attests to the complex process of ‘accompanying’ a stranger in her death. Drawing on the Bible, Allen Ginsberg's poetry, and interviews, the film is a search for a person beyond reach, a meditation on things one cannot know, a moving kaddish for uncertain, dangerous times.” Kathy Geritz, Film Curator, Pacific Film Archive, University of California, Berkeley Art Museum.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (Style Guide)
(2005). States of UnBelonging - An Israeli Woman Explores Violence in the Middle East. Canyon Cinema Foundation.
Chicago / Turabian - Author Date Citation, 18th Edition (Style Guide)2005. States of UnBelonging - An Israeli Woman Explores Violence in the Middle East. Canyon Cinema Foundation.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 18th Edition (Style Guide)States of UnBelonging - An Israeli Woman Explores Violence in the Middle East. Canyon Cinema Foundation, 2005.
UCL Harvard Citation (Style Guide)(2005). States of unbelonging - an israeli woman explores violence in the middle east. [San Francisco, California, USA]: Canyon Cinema Foundation.
MLA Citation, 9th Edition (Style Guide)States of UnBelonging - An Israeli Woman Explores Violence in the Middle East. Canyon Cinema Foundation, 2005.
Note: Citations contain only title, author, edition, and publisher. Only UCL Harvard citations contain the year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of May 2025.
Staff View
Grouped Work ID
82a06f70-9cbb-4c97-2954-83fe707f09c5-eng
Grouping Information
| Grouped Work ID | 82a06f70-9cbb-4c97-2954-83fe707f09c5-eng |
|---|---|
| Full title | states of unbelonging an israeli woman explores violence in the middle east |
| Author | canyon cinema foundation |
| Grouping Category | movie |
| Last Update | 2026-03-04 11:32:20AM |
| Last Indexed | 2026-04-05 00:44:24AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Sep 24, 2025 |
| Last Used | Mar 30, 2026 |
Marc Record
| First Detected | Jul 01, 2025 01:28:24 PM |
|---|---|
| Last File Modification Time | Mar 04, 2026 11:01:11 AM |
MARC Record
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| 520 | |a Portrait of Israeli woman filmmaker explores violence in the Middle East. The core of this haunting meditation on war, land, the Bible, and filmmaking is a portrait of Revital Ohayon, an Israeli filmmaker and mother killed on a kibbutz near the West Bank. Director Lynne Sachs' journey to discover Revital life and death results in a cine-essay on violence, identity, crisis in the Middle East and motherhood. Avoiding easy political polarizations, the film is structured around an exchange of letters between Sachs and her Israeli friend Nir Zats. Together, they reveal Revital's story through her films, news reports, and interviews, culminating in heartbreaking footage of children discussing the violence they've witnessed and an unforgettable visit with Ohayon's grieving family. Without taking sides or casting blame, "States of UnBelonging" becomes a cine-essay on fear and filmmaking, tragedy and transformation, violence and the land of Israel/Palestine.. “What separates each of us from the other? Director Lynne Sachs explores this complex question and others in her haunting new film States of Unbelonging—a beautiful poetic journey that searches for how one person understands another across cultural, historical and political divides. The two people in question are Sachs herself and Revital Ohayon, an Israeli filmmaker killed by terrorists. Like Sachs, Ohayon was a mother, a filmmaker, a teacher and a Jew. Though she never met Ohayon, Sachs examines the onslaught of modern media that united both artists, mediated through the letters, messages and phone calls exchanged with Israeli friend, Nir Zats.” Fernando F. Croce, Cinequest: San Jose Film Festival. “At a time when conflicts scar the globe, this visually arresting film attests to the complex process of ‘accompanying’ a stranger in her death. Drawing on the Bible, Allen Ginsberg's poetry, and interviews, the film is a search for a person beyond reach, a meditation on things one cannot know, a moving kaddish for uncertain, dangerous times.” Kathy Geritz, Film Curator, Pacific Film Archive, University of California, Berkeley Art Museum. | ||
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